It can’t get vanilla-ed out and have all the edges shaved down. JDS: I would say that was an active rule we had: it has to look like the thing that’s in the book. We thought about who they were as people, who they were as characters, how we wanted the audience to feel about them and hopefully get the audience to feel something that these characters couldn’t express with words-that you could actually be immersed within the feelings and the emotions of these characters. We added a ton more to Miles’s world, and then thinking our characters and what we were trying to say with them internally, we built all these external things that you’re seeing on screen around the characters. How can we build from the ground up? Could Miles’s world look even better?” We sort of threw out the book and said, “Let’s just think about this as a complete story, as its own film. Thompson: When we set out to make something that was unique and set apart from, but still lived up to the legacy of that, we knew we had to try and do something really radically different than we’d even done on the first film. As directors, can you talk to me a bit about how you foster an environment like that, and the desire to maintain that freedom in a project like this? Justin, I’ve heard you call Across the Spider-Verse the world’s most expensive independent art house film. On our awards podcast Best in Show, Letterboxd’s comics king Matt Kolowski swung in to speak with Powers, Dos Santos and Thompson about The Empire Strikes Back comparisons, recruiting legendary comics artist Rick Leonardi and why VFX is just as important to animated movies as the animation itself. Their drive to create something personal-a treasure for comic book fans old and new-is what makes Across the Spider-Verse so special, and what the animation community has responded to: up for Best Animated Feature at the Oscars, it also has seven nominations at the Annie Awards. “I was just like, ‘I hope they like what I’m doing.’ They were the only two people I really worried about.” “I was really just worried about what Joaquim and Kemp thought,” says Thompson. Thompson-their primary goal was impressing each other. But for Spider-Man: Across the Spider-Verse’s three directors-Kemp Powers, Joaquim Dos Santos and Justin K. Taking one of the world’s most popular intellectual properties and turning it into Letterboxd’s highest rated film of 2023 is no mean feat.
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